Overview
The Arena & Opera
UNESCO Old Centre
Valpolicella & Soave
Lake Garda
Culture
Practical Info
Verona's reputation rests on a courtyard balcony that was added to a medieval house in the twentieth century and connects to Shakespeare only through the play, which is a strange fate for one of the best-preserved Roman and medieval cities in northern Italy. The arena on Piazza Bra is the point: a first-century amphitheatre, smaller than Rome's but far more intact, and — unusually for a Roman monument anywhere — still in working use, staging a summer opera season where audiences sit on the original stone steps with cushions and candles. Around it, the centre is UNESCO-listed and compact enough to walk in a morning: Piazza delle Erbe on the footprint of the Roman forum, still a market square; the Scaliger tombs; Castelvecchio's fortress and its bridge over the Adige, which loops around the old town; and Roman gates standing in the middle of ordinary streets. The river is the other organising feature — cross it and climb to the Roman theatre and the castle terrace above for the view back over the tiled roofs. What most day visitors miss is that Verona is also the practical base for two things beyond the city: the Valpolicella hills begin immediately north, which is where Amarone comes from and where the cellars receive visitors, and Lake Garda's southern shore is half an hour away. Spring and autumn are the best seasons; the opera runs through the summer heat, which is when the city is busiest and most expensive.
Discover Verona
The amphitheatre on Piazza Bra dates from the first century and survives in far better condition than most, having been repaired and reused continuously rather than quarried for stone. It seats a substantial audience and still works as a venue: the summer opera season puts full stagings inside it, with much of the audience on the original stone tiers. Even outside the season the interior is worth entering to stand on the arena floor and look up. If you come for a performance, take a cushion — the stone steps are exactly as hard as they look — and expect a late finish.
Yes, though a day covers the centre. What a second day buys is the part most visitors never see: the Valpolicella cellars ten minutes north, the Roman theatre and castle terrace across the river, and Lake Garda's southern shore half an hour away. Verona also works better as a regional base than Venice does — it sits on the main line, it is cheaper to sleep in, and Venice, Milan and Bologna are all easy day trips from it. The city rewards a slower pace than the Venice-Milan itinerary usually allows.
Be clear about what it is first: the house is genuinely medieval, but the balcony was added in the twentieth century and the connection to Shakespeare's characters is a later attribution rather than a historical fact — the play was written by someone who never came here. The courtyard is small, extremely crowded and covered in graffiti and padlocks. Plenty of visitors enjoy it anyway; others look up from the street for nothing and spend the time on the arena or across the river. Either is fine, but knowing beforehand prevents the usual disappointment.
The season runs through the summer, and productions are staged inside the first-century amphitheatre with much of the audience seated on the original stone tiers. Book ahead, because popular nights sell out. The practical advice matters more than the ticket class: take a cushion, since the stone is exactly as unforgiving as it looks, bring water, and expect a late finish — performances start after dark and run long. Numbered seats in the lower sections cost considerably more than the unreserved stone steps, which are the traditional way to attend.
1 embassy based in this city, grouped by region.